So we would import images into Lightroom then on a bad day delete 50% of the images we had spent all that time waiting to import. But, we delete many of our images, low light levels, high frame rates, slow shutter speeds, quick moving subjects are a sure way of getting lots of rejects. The time it takes is not that important if you’re going to keep all those images. A couple of hundred pictures, importing and you have time for a coffee and maybe even a snack before it’s finished. Lightroom Classic CC, let’s face it is not the fastest, when it comes to importing images. In that article he praised the speed of ingest and captioning he could achieve using Photo Mechanic. We first became aware of Photo Mechanic in an article Scott Kelby published about the workflow he uses when taking American football pictures . For the most part we do this with keywording and descriptions. So if we want to be able to sell images we must make it so that we and other people can find just what they are looking for. But “Small brown fury thing” when someone is looking for pictures of Pine Martens, is I suspect going to be more of an issue. It’s possible you might get away with a description “Big yellow flower” and anyone searching for a picture of a Sunflower, might just find it. Both of which are needed to make the image saleable. We’re wildlife and nature photographers, our images in the main have a subject that has a common and scientific name. Photo Mechanic is never going to replace Lightroom or Photoshop. All our images require keywording and detailed descriptions. We still use Adobe Lightroom Classic CC and Photoshop CC and couldn’t work without them. Capable of 4K video and much more.Before I start this look at Photo Mechanic by Camera Bits I need to get a few things out of the way. Truly feature-rich DSLR with triple control-dials and an 8-way joystick in a weatherproof and freezeproof body that offers dual SDXC memory-card slots. Sports a 101-Point Phase-Detect AF system and fast shutter capable of 12 FPS continuous drive. The ultimate APS-C DSLR built around a 26 MP BSI-CMOS sensor with ISO 100-1,638,400 range mounted on a 5-axis image-stabilization system with 5½-stop efficiency. Video performance and extreme low-light images added to the in-depth Pentax K-3 III Review and gallery.
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